[et_pb_section fb_built=”1″ disabled_on=”on|off|off” _builder_version=”4.21.0″ _module_preset=”default” use_background_color_gradient=”on” background_color_gradient_direction=”360deg” background_color_gradient_stops=”#000000 0%|rgba(10,10,10,0) 65%” background_color_gradient_overlays_image=”on” background_image=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2024\/04\/96.01.EC_.N35.B1.09.80.27.jpeg” background_position=”top_center” background_vertical_offset=”12%” width=”100%” min_height=”39vh” custom_margin=”-2px|||||” custom_padding=”98px|0px|98px|0px|true|true” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”150px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” header_font=”Montserrat|700|||||||” header_text_align=”center” header_text_color=”#FFFFFF” header_font_size=”76px” custom_margin=”||-16px||false|false” custom_padding=”26px||0px||false|false” header_font_tablet=”Montserrat|700|||||||” header_font_phone=”Montserrat|700|||||||” header_font_last_edited=”on|desktop” global_colors_info=”{}” custom_margin__hover_enabled=”on|desktop” custom_margin__hover=”||-16px||false|false”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|on|on” _builder_version=”4.21.0″ _module_preset=”default” use_background_color_gradient=”on” background_color_gradient_direction=”360deg” background_color_gradient_stops=”#000000 0%|rgba(10,10,10,0) 65%” background_color_gradient_overlays_image=”on” background_image=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2024\/04\/96.01.EC_.N35.B1.09.80.27.jpeg” background_position=”top_center” background_vertical_offset=”12%” width=”100%” min_height=”39vh” custom_margin=”-2px|||||” custom_padding=”98px|0px|98px|0px|true|true” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”85px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Montserrat|700|||||||” header_font=”|700|||||||” header_text_align=”center” header_text_color=”#FFFFFF” header_font_size=”40px” text_orientation=”center” custom_margin=”||||false|false” custom_padding=”75px||||false|false” header_font_tablet=”Roboto Slab|700|||||||” header_font_phone=”Montserrat|700|||||||” header_font_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” min_height=”388.8px” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”12px||0px|||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” link_option_url=”https:\/\/digital-collections.csun.edu\/digital\/collection\/FMC\/id\/1065\/rec\/1″ link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n
\u201cSchenley\u201d Doug Rippey, \u201cCampesino\u201d Roy Valdez, \u201cSchenley Contract\u201d Luis Valdez, \u201cPerelli Minetti Deal\u201d Daniel Valdez, and \u201cCampesino\u201d Joe Otero perform a scene from the The Perelli Minetti Deal. Berkeley, California, January, 1967. Photo by Emmon Clarke.<\/em><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font_size=”20px” text_line_height=”1.6em” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]In January 1967, Teatro Campesino performed various actos in Berkeley to bring the farmworker movement stories to college campus audiences, illustrating their struggle and helping collect needed funds to the union. The Two Faces of the Little Boss showed the universal power of greed. The Fifth Season presented the farmworkers\u2019 season of redemption against the contractors and growers\u2019 exploitation through strikes and other organized actions. The Perelli Minetti Deal portrays the conflict with Perelli Minetti, a Delano grower who refused to recognize the union and enter into a sweetheart deal with the Teamsters, prompting the United Farm Workers Organizing Committee (UFWOC) to launch a boycott in the fall of 1966. “To many of you these actos may seem to be satire, “Luis Valdez told people in Berkeley, as reported by El Malcriado, “but, in the eyes of the farm workers these are the realities.”<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_slider _builder_version=”4.21.0″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_slide image=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2024\/04\/96.01.EC_.N35.B1.09.74.12.jpeg” _builder_version=”4.21.0″ _module_preset=”default” header_font_size=”46px” background_color=”#D22030″ background_enable_color=”on” background_enable_image=”off” link_option_url=”https:\/\/digital-collections.csun.edu\/digital\/collection\/FMC\/id\/1136\/” link_option_url_new_window=”on” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n \u201cFarm Worker\u201d Daniel Valdez points the boycott sword at “Perelli-Marrano,” interpreted by Luis Valdez wearing a pig nose, in the act The Perelli Minetti Deal depicting the farmworkers struggle against one of the Delano growers, Fred Perelli-Minetti. Berkeley, California, January 1967. Photo by Emmon Clarke.<\/p>\n [\/et_pb_slide][et_pb_slide image=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2024\/04\/FMC_1086_full.jpg” _builder_version=”4.21.0″ _module_preset=”default” header_font_size=”46px” background_color=”#D22030″ background_enable_color=”on” background_enable_image=”off” link_option_url=”https:\/\/digital-collections.csun.edu\/digital\/collection\/FMC\/id\/1086\/” link_option_url_new_window=”on” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n \u201cFarm Worker\u201d Daniel Valdez and \u201cMrs. American Consumer\u201d Kerry Ohta play a scene from the act The Perelli Minetti Deal depicting the farmworkers struggle against one of the Delano growers, Fred Perelli-Minetti. Berkeley, California, January 1967. Photo by Emmon Clarke.<\/p>\n [\/et_pb_slide][et_pb_slide image=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2024\/04\/FMC_964_full.jpg” _builder_version=”4.21.0″ _module_preset=”default” header_font_size=”46px” background_color=”#D22030″ background_enable_color=”on” background_enable_image=”off” link_option_url=”https:\/\/digital-collections.csun.edu\/digital\/collection\/FMC\/id\/964\/” link_option_url_new_window=”on” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n \u201cFarm Worker\u201d Daniel Valdez brandishes the boycott sword at “Perelli-Marrano” Luis Valdez, wearing a pig nose. \u201cCampesino\u201d Roy Valdez assists at placing Marrano into a trash bin labeled “Perelli Menudo.” Berkeley, California, January, 1967. Photo by Emmon Clarke.<\/p>\n [\/et_pb_slide][et_pb_slide image=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2024\/04\/FMC_960_full.jpg” _builder_version=”4.21.0″ _module_preset=”default” header_font_size=”46px” background_color=”#D22030″ background_enable_color=”on” background_enable_image=”off” link_option_url=”https:\/\/digital-collections.csun.edu\/digital\/collection\/FMC\/id\/960\/” link_option_url_new_window=”on” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n Labor leader Anne Draper, wearing a hat and eyeglasses, is among the audience enjoying a performance by El Teatro Campesino. Berkeley, California, January 1967. Photo by Emmon Clarke.<\/p>\n [\/et_pb_slide][et_pb_slide image=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2024\/04\/FMC_1022_full.jpg” _builder_version=”4.21.0″ _module_preset=”default” header_font_size=”46px” background_color=”#D22030″ background_enable_color=”on” background_enable_image=”off” link_option_url=”https:\/\/digital-collections.csun.edu\/digital\/collection\/FMC\/id\/1022\/” link_option_url_new_window=”on” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n Luis Valdez is performing wearing a pig mask and playing the role of the boss, as the \u201cPatroncito\u201d sign around his neck indicates, in an act called The Two Faces of the Little Boss. Berkeley, California, January 1967. Photo by Emmon Clarke.<\/p>\n [\/et_pb_slide][et_pb_slide image=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2024\/04\/FMC_1043_full.jpg” _builder_version=”4.21.0″ _module_preset=”default” header_font_size=”46px” background_color=”#D22030″ background_enable_color=”on” background_enable_image=”off” link_option_url=”https:\/\/digital-collections.csun.edu\/digital\/collection\/FMC\/id\/1043\/” link_option_url_new_window=”on” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n The audience is enjoying a performance by El Teatro Campesino. Berkeley, California, January, 1967. Photo by Emmon Clarke.<\/p>\n [\/et_pb_slide][\/et_pb_fullwidth_slider][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#D8D2C4″ min_height=”530px” custom_margin=”-1px|||||” custom_padding=”0px|||||” global_module=”70″ saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2023\/07\/footer_logos.png” title_text=”footer_logos” url=”https:\/\/www.csun.edu\/bradley-center” url_new_window=”on” align=”center” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/farmworkermovement-csun.org\/wp-content\/uploads\/2023\/07\/NEH-Preferred-Seal.png” alt=”NEH-Preferred-Seal-logo” title_text=”NEH-Preferred-Seal” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Tom & Ethel Bradley Center [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Emergency Information<\/a><\/p>\n University Policies & Procedures<\/a><\/p>\n Title\u00a0<\/span>IX<\/abbr><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Terms and Conditions for Use<\/a><\/p>\nEl Teatro Campesino members Daniel Valdez and Luis Valdez from performing, Berkeley, 1967<\/h6>\n
El Teatro Campesino members Daniel Valdez and Kerry Ohta performing, Berkeley, 1967<\/h6>\n
El Teatro Campesino members Daniel Valdez, Luis Valdez, and Roy Valdez performing, Berkeley, 1967<\/h6>\n
Ann Draper watching El Teatro Campesino perform, Berkeley, 1967<\/h6>\n
El Teatro Campesino member Luis Valdez performing, Berkeley, 1967<\/h6>\n
Audience watching El Teatro Campesino perform, Berkeley, 1967<\/h6>\n
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